Peace & Anarchy Insulated Shirt

$620.00

Cropped and remade Levi’s sherpa-lined denim shirt jacket with dyed, painted, and hand-printed interventions.

Category: Remade

File under: #AnarchoPunk, #DIYPrinting, #ProtestGraphics, #PostConsumerTextiles

Description

Levi’s sherpa-lined denim shirt jacket from the 1990s, cropped to the waist and reworked through multiple surface and structural interventions. The garment has been dyed with a high-visibility yellow wash, then overpainted and stenciled, producing uneven saturation and visible layering across the denim.

A fractured version of the Crass symbol appears at the center of the garment. The graphic references work by Crass and designer David King, where anti-war imagery was circulated through deliberately reduced, repeatable forms. Here, the symbol is altered rather than reproduced, with wear, misalignment, and fading treated as part of its function.

Red floral patches printed from hand-cut blocks are applied repeatedly across the surface. Each is stamped individually, resulting in slight variation between impressions. The shirt’s original structure remains legible: heavy cotton denim, sherpa lining, and workwear construction intended for warmth and durability.

The garment brings together insulation, protest graphics, and visible repair without resolving them into a single statement. Its surface records accumulated labor rather than a finished image.

Cropped and remade Levi’s sherpa-lined denim shirt jacket with dyed, painted, and hand-printed interventions.

Category: Remade

File under: #AnarchoPunk, #DIYPrinting, #ProtestGraphics, #PostConsumerTextiles

Description

Levi’s sherpa-lined denim shirt jacket from the 1990s, cropped to the waist and reworked through multiple surface and structural interventions. The garment has been dyed with a high-visibility yellow wash, then overpainted and stenciled, producing uneven saturation and visible layering across the denim.

A fractured version of the Crass symbol appears at the center of the garment. The graphic references work by Crass and designer David King, where anti-war imagery was circulated through deliberately reduced, repeatable forms. Here, the symbol is altered rather than reproduced, with wear, misalignment, and fading treated as part of its function.

Red floral patches printed from hand-cut blocks are applied repeatedly across the surface. Each is stamped individually, resulting in slight variation between impressions. The shirt’s original structure remains legible: heavy cotton denim, sherpa lining, and workwear construction intended for warmth and durability.

The garment brings together insulation, protest graphics, and visible repair without resolving them into a single statement. Its surface records accumulated labor rather than a finished image.

Details

Added to Archive: 2025

Edition: One-of-one

Material: Cotton denim with sherpa fleece lining; mixed media surface treatments

Era: 1990s (base garment)

Condition: Structurally sound; visible fading, distressing, and surface wear integral to the object

Size / Fit: Approx. L; cropped fit

Dimensions:

– Chest: 24 in

– Length: 20 in

Intervention: Cropped, dyed, stenciled, painted, and block-printed by Chains

Provenance: Levi’s jacket sourced from Hamilton Antique Mall

Care: Hand wash cold; line dry